Confusion of Shapes | Image © Khaled Al-boushi

Confusion of Shapes

“When I begin to work on a painting, i go back to the primary visual element that form shapes, the dot, and to experience the possible transformation which (dot) might be exposed.

During the process, each painting simultaneously depicts different visual results and situations: stillness and movement; density and vacuum; creation and disappearance.

In this coexistence of opposites, shapes experience confusion and constant change. A shape faces an existential crisis and deep within it lays nothingness.

And so whenever a shape stabilizes and manifests itself in one form, the nothingness within it rebels and reflects its image in another form – or no-form at all.

Those shapes reflect the actual situation which I live, since I left home.”

Was born in Syria in 1985, graduated from Damascus University with a degree in Fine Arts in 2009. Since then, he has participated in international residency programs and has had solo shows in Syria, Lebanon and Austria.
 He’s been Inspired by Sufi philosophy, and influenced by the abstract expressionism movement, to which most of his works belong, he currently lives and works in Germany.

al.boushi.khaled@gmail.com
https://sites.google.com/site/alishraq1/

SCHALCHTEN | DISPLACED 2015 | Dusk and Not Dawn | Fernando Niño-Sánchez | Image © SCHLACHTEN TEAM
SCHALCHTEN | DISPLACED 2015 | disqualifiziert - vertrieben - ungehorsam | Franziska Gußmann | Image © Jana Plüschke

Franziska Gußmann

SCHLACHTEN | Performed Furniture | Chair Nr 35 | Image © Sonia Barrett

Sonia Barrett

SCHLACHTEN | Before/After: A Onesie Experience | Image © David Iselin-Ricketts

David Iselin-Ricketts

SCHLACHTEN | Anestis Logothetis – The Art of Displaced Sounds | Logothetis Ensemble | Image: Ghia Tin Ora © Anestis Logothetis 1975
SCHLACHTEN | INCUBATION BOOTH | Image © Colette / Laboratoire Lumiere
SCHLACHTEN | Heimatvertriebene| Image © Dorota Nieznalska

Dorota Nieznalska

SCHLACHTEN | WER IST DIE WAFFE, WO IST DER FEIND | Image © theatre 89

theater 89

SCHLACHTEN | Third Age | Image © Chris Avis

Chris Avis

SCHLACHTEN | The Yearning for the Other Shore | Mediterranean Tragedy | Image © Mimouni El Houssaine

Mimouni El Houssaine

SCHLACHTEN | Image © Maharaj Trio

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SCHLACHTEN | Refugees KM | Image © by Dan Farberoff

Refugees KM

SCHLACHTEN | Schritte | Image © Sebastian David

Sebastian David

SCHLACHTEN | ECCE HOMO| Image © Christa Panzner

Christa Panzner

SCHLACHTEN | Wandering | Image © Khadija Tnana

Khadija Tnana

SCHLACHTEN | Image © Emily Pütter

Emily Pütter

SCHLACHTEN | Photonovel #3 – Work In Progress | Image © Angiola Bonanni

Angiola Bonanni

SCHLACHTEN | SELF diss played | Image © Isabella Gresser

Isabella Gresser

SCHLACHTEN | Shadows of Memories | Image © Gisela Weimann

Gisela Weimann

SCHLACHTEN | Zu Hause | Image © Harry van der Woud

Harry van der Woud

SCHLACHTEN| Image © Walter van Broekhuizen
SCHLACHTEN | Baumringe | Lampedusa | Image © Julia Schmid

Julia Schmid

SCHLACHTEN | Wanderboje | Image © Peschken / Pisarsky (Urban Art)
SCHLACHTEN | Image © Miguel Mothes

Miguel Mothes

SCHLACHTEN | Kriege keinen Frieden | Image © Ursula Heermann-Jensen
SCHLACHTEN | Evaporating Borders | Image © Iva Radivojevic

Iva Radivojevic

Avec destination à... / Con destino a… ("Bound for…") | Image © Said Messari

Said Messari

The Right to Leave | Image © Sharon Paz

Sharon Paz

SCHLACHTEN | Lost Way | Dark Way | Image © Salva Nebot

Salva Nebot

Bathroom Portraits | Image © Milos Tzare

Milos Tzare

Confusion of Shapes | Image © Khaled Al-boushi

Khaled Al-boushi

SCHLACHTEN | ZEITWEISE-REISE | Image © Johanna Speidel & Chus López Vidal
SCHLACHTEN | How To Greet Like A Jamaican Step1 | Zwoisy Mears-Clarke | Image © by Aleks Slota

Zwoisy Mears-Clarke

SCHLACHTEN | With Sails of Straw | Image © Anna Gimein

Anna Gimein